If the teapots are the heart of this firing and the gaiwans the precision, these pitchers are the bridge between them...
Quiet, balanced, and perfectly tuned to complete the set.
Jonathan’s sense of proportion shows up here too: small, intentional bases that lift the form, graceful lips that pour with control, and surfaces that carry the same flame movement as the rest of this kiln load.
Each of these feel like it belongs beside the gaiwans — the textures echo, the colors roll, and together they read like a single moment in his evolution as a potter.
Pitchers are often overlooked,
but in this group they bring the whole tea table together.
The wood firing has kissed them just enough to tie into the teapots, but left them restrained.
A calm counterpoint to the more dramatic flashings elsewhere.
It’s rare to see a firing where every form feels this connected.
Jonathan’s pitchers don’t just match his teapots and gaiwans; they make the entire set feel like a story told in clay and flame.
